Star Wars auf DVD, Blu Ray etc.
- Ersteller Master Kenobi
- Erstellt am
Nachdem immer noch keine Bestätigung seitens der Fox aufgetaucht ist kann man das als Gerücht abtun. Es wird mit Sicherheit keinen neuen Release im Januar geben.
cu, Spaceball
Tut mir ja leid, aber: doch.
Ich weiß noch ganz genau, wie ich damals vor dreißig Jahren mit einem Kollegen im Kino saß, der Vorspann lief und bei der Stelle 'Episode IV' ein Raunen durchs Publikum ging.
Das war je einer der Knaller gleich am Anfang!
Edit -
@Druid: das kann sein, wie du es sagst. Zwar habe ich es anders in Erinnerung, aber das kann durchaus täuschen.
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Minza
Geek Queen
Ja, erst bei der Wiederaufführung von Episode IV bezüglich des Kinostarts von Episode V wurde der Titel "Episode IV - A New Hope" eingebaut.
Somit konnte 1977 dieser Titel noch garnicht über die Leinwände rollen
@Druid:
war das nicht schon ab 1978 im Titel enthalten? *grübel*
Somit konnte 1977 dieser Titel noch garnicht über die Leinwände rollen
@Druid:
war das nicht schon ab 1978 im Titel enthalten? *grübel*
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Orakel
Träumer in der Macht
Hmm? Ist das dann jetzt die Version, wie sie jetzt in der "Limited"-Editionen Dreierbande rausgebracht wurde oder nochmal'ne Überarbeitete fassung?
Ansonsten bin ich im Moment froh endlich eine der drei DVDs wenigstens schon mal in meinen Besitz gebracht zu haben... irgendwie hat das liebe Geld die unangenehme Eigenschaft öfter auszugehen als ich selbst.
Mystiman
Originaltrilogie-Fetischist
Na ganz klasse! Als die Filme in ihrer originalen Originalversion auf DVD rauskamen, habe ich sie mir vorsichtshalber erstmal alle gekauft, aber noch nicht geguckt. Und gestern haben wir uns dann "endlich mal wieder" die originale Fassung von "Das Imperium schlägt zurück" reingezogen.
Und fühlten uns zutiefst verarscht!
Anfangs fanden wir es schlimm, dass der Vorspann in englisch ist und mit Untertiteln ergänzt wurde. Doch schnell mussten wir feststellen, dass es noch viel schlimmer kam:
Was ist denn das für eine grottenschlechte Qualität?? Da ist mein aus dem Fernsehen aufgenommenes Video von 1990 ja besser! Das Bild unscharf, mal die Farben übersättigt, mal blass, mal wabert das Bild wie in der Hitze der afrikanischen Savanne (kurz bevor Yoda den X-Wing aus dem Sumpf hebt) und man sieht andauernd volles Rohr die Bluescreen-Ränder um die Raumschiffe. Das tat man in diesem Maße früher definitiv nicht!
Mich beschleicht der Verdacht, dass diese Version absichtlich schlecht gemacht wurde, um den doofen Kunden noch weiter zu verarschen. Vielleicht soll man denken, dass die überarbeiteten Fassungen ja doch so unglaublich viel besser wären usw. Aber das stimmt nicht. Soviel schlechter war die Qualität original nicht!
Aber Lucas hat es geschafft: ich habe nun endgültig die Lust an den Filmen verloren, die mir seit 1990 in der Filmgeschichte am Meisten bedeutet haben. Und ich glaube kaum, dass es nur mir so geht.
Und fühlten uns zutiefst verarscht!
Anfangs fanden wir es schlimm, dass der Vorspann in englisch ist und mit Untertiteln ergänzt wurde. Doch schnell mussten wir feststellen, dass es noch viel schlimmer kam:
Was ist denn das für eine grottenschlechte Qualität?? Da ist mein aus dem Fernsehen aufgenommenes Video von 1990 ja besser! Das Bild unscharf, mal die Farben übersättigt, mal blass, mal wabert das Bild wie in der Hitze der afrikanischen Savanne (kurz bevor Yoda den X-Wing aus dem Sumpf hebt) und man sieht andauernd volles Rohr die Bluescreen-Ränder um die Raumschiffe. Das tat man in diesem Maße früher definitiv nicht!
Mich beschleicht der Verdacht, dass diese Version absichtlich schlecht gemacht wurde, um den doofen Kunden noch weiter zu verarschen. Vielleicht soll man denken, dass die überarbeiteten Fassungen ja doch so unglaublich viel besser wären usw. Aber das stimmt nicht. Soviel schlechter war die Qualität original nicht!
Aber Lucas hat es geschafft: ich habe nun endgültig die Lust an den Filmen verloren, die mir seit 1990 in der Filmgeschichte am Meisten bedeutet haben. Und ich glaube kaum, dass es nur mir so geht.
Lord Lenny
junges Senatsmitglied
Also die Bluescreenrännder waren schon immer da drin! Auch 1980 im Kino! Mir ist ein insgesammt schlechteres Bild lieber, wenn dafür Meteoriten wieder braun statt grau, der Schnee wieder weiß statt blau und die Sternenzerstörer wieder grau statt blau sind. Ich wäre, wenn die blöden Tonfehler nicht wären, mit allen drei Teilen zufrieden. Natürlich wäre ein anmorphes, bereinigtes Bild schöner, aber man kann nicht alles haben!
Vor 1998 kannte man keine bessere Qualität, weils da noch kein besseres Format als die Laserdisc gab. Für den THX Release auf DVD haben sie das Laserdisc Master verwendet und zwar das qualitativ beste was verfügbar war. Die Qualität entspricht auf keinen Fall heutigen Maßstäben aber so schlecht wie die VHS Releases ist selbst dieser Release nicht. Er entspricht lediglich nicht aktuellen Maßstäben. Deswegen ist das das Bonusmaterial und nicht der Hauptfilm. Zwei Tage nach dem offiziellen Release war überall zu lesen wie "schlecht" der Release ist.
Schon lange kein VHS Band mehr gesehen, wie?
cu, Spaceball
Weil da ein DVD oder HD Master angefertigt wird und weil da manche Firmen auch nochmal extra Geld für ausgeben damit das überarbeitet wird. Was sich LFL bei der THX Edition gespaart hat. Die hatten ja noch ein Laserdisc Master im Keller liegen.
Die THX Fassung ist digital überarbeitet. Sonst würde sie nicht THX Fassung heissen. Nur wurde das THX Master bereits um 1992 hergestellt weil die ersten THX Laserdiscs 1993 auf den Markt kamen. Da war damals das das non plus ultra - was heute natürlich keinen mehr hinter dem Ofen vorlockt.
cu, Spaceball
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D
darth gismo
Gast
Ich finde das schon ok dass es die orginalen kinoversionen bald zu kaufen gibt. Aber Ich werde sie mir nicht holen, ich hab die 2004er Version und die reicht mir
Darth Kaufi
Senatsbesucher
Ich hab mir die 2-er discs gekauft, aber meistens seh ich die überarbeiteten Vesionen, die sind einfach hübserer anzuschauen
harryfielder
Zivilist
Hiya folks I'm from the UK and remember Star Wars way back in 1976..
STAR WARS?DIRECTOR GEORGE LUCAS?
After finishing a couple of Doctor Who?s Central Casting sent me to E.M.I.
Studios to work on another space film for seven days.
I did ask them if they had any other work because I was fed up with wearing space outfits and the like? (Little did I know about STAR WARS).
There must have been about fifty Supporting Artists gathered on the first day, some putting on white space type suits, some being fitted out in weird make up and costumes and the rest of us waited around to see what we were going to be.
We had plenty of time to sit around chatting and playing the odd game of cards.
When myself and a chap called Ronnie Conrad got a call to go to the wardrobe dept, They dressed us in black space type suits but without a facemask?(Were they telling us we were ugly enough to look like aliens).
When we were dressed we sat at the back of the set and waited to do our bit.
I got talking to a giant of a man (Dave Prowse) from the West Country and he told me he was playing a character called ??Daft Ada??.
I found out later that day he was playing ??DARTH VADER?? (It must have been Dave?s strong Cornish accent that made it sound wrong).
Ronnie and I did some odd bits during the week and then the 2nd A.D. called for us to do a bit of business with our old mate ??DARTH??.
We were going to arrest Princess LEIA (Carrie Fisher)?
Carrie?s parents were Eddie Fisher (singer) and Debbie Reynolds (singer/actress). Debbie starred in the film ??Singing In The Rain?? in 1952 and I, as a twelve year old, was in love with her... (It soon passed).
Anyway lets get back to ??DAFT??.
Darth, Ronnie and I walk along some corridors and then into the cell where The Princess was being held. Darth had all the lines to say while Ronnie and I stood there looking ugly. (Typecast)
In between lighting the set Carrie was very chatty and asked what else we had done in films. (Has she got that much time to spare?)
I also met Harrison Ford and was to work with him again over the next few years.
Star Wars was the highest grossing money film that I ever worked on.
Some say it took a Billion Dollars at the box office and video sales?
I earned £11 per day for seven days. Total £77. What?s the % ??
Twenty five years later I am held in deep respect for being one of "DAFT ADA?S" men, by my Grandchildren? Thanks Mr Lucas?
http://img.photobucket.com/albums/v422/harryfielder/Space/harryfielderweb.jpg
Aitch, (H)
STAR WARS?DIRECTOR GEORGE LUCAS?
After finishing a couple of Doctor Who?s Central Casting sent me to E.M.I.
Studios to work on another space film for seven days.
I did ask them if they had any other work because I was fed up with wearing space outfits and the like? (Little did I know about STAR WARS).
There must have been about fifty Supporting Artists gathered on the first day, some putting on white space type suits, some being fitted out in weird make up and costumes and the rest of us waited around to see what we were going to be.
We had plenty of time to sit around chatting and playing the odd game of cards.
When myself and a chap called Ronnie Conrad got a call to go to the wardrobe dept, They dressed us in black space type suits but without a facemask?(Were they telling us we were ugly enough to look like aliens).
When we were dressed we sat at the back of the set and waited to do our bit.
I got talking to a giant of a man (Dave Prowse) from the West Country and he told me he was playing a character called ??Daft Ada??.
I found out later that day he was playing ??DARTH VADER?? (It must have been Dave?s strong Cornish accent that made it sound wrong).
Ronnie and I did some odd bits during the week and then the 2nd A.D. called for us to do a bit of business with our old mate ??DARTH??.
We were going to arrest Princess LEIA (Carrie Fisher)?
Carrie?s parents were Eddie Fisher (singer) and Debbie Reynolds (singer/actress). Debbie starred in the film ??Singing In The Rain?? in 1952 and I, as a twelve year old, was in love with her... (It soon passed).
Anyway lets get back to ??DAFT??.
Darth, Ronnie and I walk along some corridors and then into the cell where The Princess was being held. Darth had all the lines to say while Ronnie and I stood there looking ugly. (Typecast)
In between lighting the set Carrie was very chatty and asked what else we had done in films. (Has she got that much time to spare?)
I also met Harrison Ford and was to work with him again over the next few years.
Star Wars was the highest grossing money film that I ever worked on.
Some say it took a Billion Dollars at the box office and video sales?
I earned £11 per day for seven days. Total £77. What?s the % ??
Twenty five years later I am held in deep respect for being one of "DAFT ADA?S" men, by my Grandchildren? Thanks Mr Lucas?
http://img.photobucket.com/albums/v422/harryfielder/Space/harryfielderweb.jpg
Aitch, (H)
Hi there Harry,
welcome and thanks a lot for sharing your memories. Always nice to hear some stories about making those movies. It's also great to have someone here who was a part of the original Star Wars cast members at last!
welcome and thanks a lot for sharing your memories. Always nice to hear some stories about making those movies. It's also great to have someone here who was a part of the original Star Wars cast members at last!
harryfielder
Zivilist
Good morning,
I worked in films and tv for 32 years and had a great time. (1966-1998)
In life we all have to work to earn a living and I found a job I loved
This is how it all started,,,,,,,,,,,,
Harry Fielder Interview
Cassandra Bell
July 28, 2005
I recently interviewed Harry Fielder.
Bell: How did you get your start in the movie industry?
Fielder: It all started for me in 1958 when I bought a second hand guitar and played my first gig in a local pub. Me and a friend learned six songs and went out to play Rock 'n Roll. We soon updated to electric guitars and played some good music for the next eight years. One night after the gig a guy ask me if I wanted to do a couple of days on a tv series as an extra. That two days turned into 32 years. (see web site)
Extra! Extra! Read all about it!
Bell: What were some of the movies in which you starred?
Fielder: I never got to star in any movies because I was a bit player and that suited me fine. Every movie or TV show has bit players that come in and out of scenes (I'm the man that knocks on the lead actor's door and says "I've come to fix the roof") but that way I could work on a new show everyday.
Bell: Who are some of the actors/actresses that you have become acquainted with, over the years? Any stories about that to share with us?
Fielder: I have met many top actors and you are friends for a day or two whilst working with them. When I look back and think of the actors I've worked with it's like a who's who of the best of acting talent. If I start to name names I could fill this page up. But if folks read my full story they will find people like James Cagney, Robert Mitchum, Tony Curtis, Rod Stieger..John Wayne.. and all in the confines of the UK.
Bell: What were some of the most challenging roles for you in the movies and why?
Fielder: Never really had a challenging role. Just got on with the job in hand..Go on set, say the words and don't fall over the furniture. I did fall a couple of times but two in 800 is ok.
Bell: What were some of your favorite movie roles to play and why?
Fielder: In 1982 an agent sent me down to a tv studio to do one day's work as a security guard extra. One day's work that turned into three years as a co-presenter on a live kids show. The kids called me ''Dopey Harry'' but I wasn't that dopey. I stayed for three years.
Bell: What were some of your most memorable moments? Any bloopers or behind the scenes stories to share with us?
Fielder: Working with Alfred Hitchcock on the film "Frenzy" was the most memorable moment. He was my all time hero and those memories are still with me.
AN AMERICAN WEREWOLF IN LONDON?Director John Landis?
Central Casting must have sent 200-300 people down to Piccadilly for a night shoot on this production. None of us knew anything about the scenes we were going to be involved in so we just hung around coffee bars (Or other bars) chatting and having a night out in The West End.
About 1 o'clock in the morning the production team gathered us all together and told us the scenes they were about to do. (You ain?t gonna believe this). A WEREWOLF is going to be running out of a cinema in Piccadilly Circus straight across Eros causing cars to crash and have people falling out of bus windows. (I?m thinking this will do the tourist trade the world of good) On a cue from the 1st A.D. the real police clear the roads of all late night Joe Public.
The Central Casting crowd are all given places to stand and out of the woodwork comes our buses and cars and stunt people. We?ve got permission to hold up traffic for half an hour and John Landis had multi camera crews covering every angle. It was over as quickly as it began and as soon as the camera?s stopped rolling the wrecking crews were in there clearing the wrecked cars and sweeping the streets clean again. An hour later it was like we?d never been. (See the film just to see this sequence) Well done, John Landis?
RAIDERS OF THE LOST ARK-Director Steven Spielberg?Elstree Studios?
Cast: Harrison Ford, Karen Allen
A great joy to watch Mr Spielberg at work.. The whole sequence was set out on storyboards. A master of his craft?
There?s about twenty of the chaps. And it?s near the end of the film where the bad guys find The Ark and all us bad guys are going to get our just desserts. When The Ark is opened strange things start to happen and strong winds and sand are blown all over the set. Steven tells us to react to strange ghost like creatures coming out of the Ark. He?d point at us and shout above the noise of the wind, ??It?s coming for you now react, now it?s got you round the face, react to it.?? George Lucas was standing next to Steven at times and seemed to be enjoying the action.
Harrison and Karen were tied to a stake at the time so I couldn?t get any help from that quarter?
Of course all the special effects are put onto screen months later as is most films these days?
I read Steven Spielberg?s life story and he didn?t always have it easy. And the last word on this tale must go to Harrison Ford?s stand/in? Jack (Chalky) Dearlove, who is still working for him.
BATMAN- Director Tim Burton?
Cast: Jack Nicholson, Tim Burton, Kim Basinger
A couple of nights on this as a Supporting Artist and, although it was cold, what makes me remember this film is Jack Nicholson leaning over a high balcony and saying to some of the boys "Just look at it this way guys, another day another $100,000s (I think we were on £50 a night).
FIRST KNIGHT- Director Jerry Zucker?Pinewood Studios?
Cast: Sean Connery, Richard Gere, Julia Ormond, Ben Cross.
I make my way to a place called Ivinghoe Beacon which sits on top of a big hill..(It looks more like a small mountain than a hill to us ex city old boys)They?ve built a village on the top of the hill and me and another fifty Supporting Artists are to be simple villagers.
It seems the bad guy (Ben Cross) is going to send his men in to pillage our village. The scenes go like this..All the villagers are scared when they see twenty men dressed in black (Bad guys) riding down the hill towards them. All of a sudden the horses stop at the entrance to the village and one of the cast members shouts to us, ??Why have they stopped???My old mate (now deceased) Bill (hat and coat) shouts back ???cause they haven?t had their Weetabix??
This didn?t go down too well with the director but he carried on. As the horses come charging in we all have to flee in all directions and try to hide. The 1st A.D. Chris wants to give me a bit of business to do. ??Aitch, as the horses come charging past I want you to run across the path and take refuge in that barn. There should be six horses coming past you and you run across after the last one??.
Six horses and run.. I take my glasses off (I can?t see a thing without them) and I start to count the horses as they fly by.??Four, five, six and run? BANG I?m up in the air, someone sent seven horses past. Myself and the horse didn?t get hurt; it was just another day at the office..
MISSION IMPOSSIBLE- Director: Brian De Palma.
Cast: Tom Cruise, Jon Voight
A night shoot at Liverpool Street Train Station in London.
They want to use my car (Orion) in the first shot and have a London bus give it a near miss.. After about six takes and the bus getting nearer with every take the director gets his shot. (I?m a bit pleased with that) They had rain machines on us all night which made the driving more difficult..
Tom Cruise was very good to the onlooking crowd and every so often would go over to them and sign autographs for them. Mind you there was half a dozen big guys (Ben, The Spiv,) doing their best public liaison work.. I was speaking to Robin the caterer when Jon Voight came over and joined us. He shook hands with me and asked me how I was doing.
I said I had worked with him before on The Revolutionary many years before. He remembered the film and I didn?t remind him of the good drink we had at the end of that day.. It?s not in his memory but it will certainly stay in mine.
ENTRAPMENT-Director: Jon Amiel
Cast: Sean Connery, Catherine Zeta Jones
Filming at The Borough Market South London for a week. (A very hot week) Dressed up in winter clothes as a stall holder on the hottest days of the year..Fake snow all around us and me wearing gloves, a body warmer and scarf. This is the last film I worked on.
I would like to thank Harry Fielder for allowing me to interview him.
Aitch,
I worked in films and tv for 32 years and had a great time. (1966-1998)
In life we all have to work to earn a living and I found a job I loved
This is how it all started,,,,,,,,,,,,
Harry Fielder Interview
Cassandra Bell
July 28, 2005
I recently interviewed Harry Fielder.
Bell: How did you get your start in the movie industry?
Fielder: It all started for me in 1958 when I bought a second hand guitar and played my first gig in a local pub. Me and a friend learned six songs and went out to play Rock 'n Roll. We soon updated to electric guitars and played some good music for the next eight years. One night after the gig a guy ask me if I wanted to do a couple of days on a tv series as an extra. That two days turned into 32 years. (see web site)
Extra! Extra! Read all about it!
Bell: What were some of the movies in which you starred?
Fielder: I never got to star in any movies because I was a bit player and that suited me fine. Every movie or TV show has bit players that come in and out of scenes (I'm the man that knocks on the lead actor's door and says "I've come to fix the roof") but that way I could work on a new show everyday.
Bell: Who are some of the actors/actresses that you have become acquainted with, over the years? Any stories about that to share with us?
Fielder: I have met many top actors and you are friends for a day or two whilst working with them. When I look back and think of the actors I've worked with it's like a who's who of the best of acting talent. If I start to name names I could fill this page up. But if folks read my full story they will find people like James Cagney, Robert Mitchum, Tony Curtis, Rod Stieger..John Wayne.. and all in the confines of the UK.
Bell: What were some of the most challenging roles for you in the movies and why?
Fielder: Never really had a challenging role. Just got on with the job in hand..Go on set, say the words and don't fall over the furniture. I did fall a couple of times but two in 800 is ok.
Bell: What were some of your favorite movie roles to play and why?
Fielder: In 1982 an agent sent me down to a tv studio to do one day's work as a security guard extra. One day's work that turned into three years as a co-presenter on a live kids show. The kids called me ''Dopey Harry'' but I wasn't that dopey. I stayed for three years.
Bell: What were some of your most memorable moments? Any bloopers or behind the scenes stories to share with us?
Fielder: Working with Alfred Hitchcock on the film "Frenzy" was the most memorable moment. He was my all time hero and those memories are still with me.
AN AMERICAN WEREWOLF IN LONDON?Director John Landis?
Central Casting must have sent 200-300 people down to Piccadilly for a night shoot on this production. None of us knew anything about the scenes we were going to be involved in so we just hung around coffee bars (Or other bars) chatting and having a night out in The West End.
About 1 o'clock in the morning the production team gathered us all together and told us the scenes they were about to do. (You ain?t gonna believe this). A WEREWOLF is going to be running out of a cinema in Piccadilly Circus straight across Eros causing cars to crash and have people falling out of bus windows. (I?m thinking this will do the tourist trade the world of good) On a cue from the 1st A.D. the real police clear the roads of all late night Joe Public.
The Central Casting crowd are all given places to stand and out of the woodwork comes our buses and cars and stunt people. We?ve got permission to hold up traffic for half an hour and John Landis had multi camera crews covering every angle. It was over as quickly as it began and as soon as the camera?s stopped rolling the wrecking crews were in there clearing the wrecked cars and sweeping the streets clean again. An hour later it was like we?d never been. (See the film just to see this sequence) Well done, John Landis?
RAIDERS OF THE LOST ARK-Director Steven Spielberg?Elstree Studios?
Cast: Harrison Ford, Karen Allen
A great joy to watch Mr Spielberg at work.. The whole sequence was set out on storyboards. A master of his craft?
There?s about twenty of the chaps. And it?s near the end of the film where the bad guys find The Ark and all us bad guys are going to get our just desserts. When The Ark is opened strange things start to happen and strong winds and sand are blown all over the set. Steven tells us to react to strange ghost like creatures coming out of the Ark. He?d point at us and shout above the noise of the wind, ??It?s coming for you now react, now it?s got you round the face, react to it.?? George Lucas was standing next to Steven at times and seemed to be enjoying the action.
Harrison and Karen were tied to a stake at the time so I couldn?t get any help from that quarter?
Of course all the special effects are put onto screen months later as is most films these days?
I read Steven Spielberg?s life story and he didn?t always have it easy. And the last word on this tale must go to Harrison Ford?s stand/in? Jack (Chalky) Dearlove, who is still working for him.
BATMAN- Director Tim Burton?
Cast: Jack Nicholson, Tim Burton, Kim Basinger
A couple of nights on this as a Supporting Artist and, although it was cold, what makes me remember this film is Jack Nicholson leaning over a high balcony and saying to some of the boys "Just look at it this way guys, another day another $100,000s (I think we were on £50 a night).
FIRST KNIGHT- Director Jerry Zucker?Pinewood Studios?
Cast: Sean Connery, Richard Gere, Julia Ormond, Ben Cross.
I make my way to a place called Ivinghoe Beacon which sits on top of a big hill..(It looks more like a small mountain than a hill to us ex city old boys)They?ve built a village on the top of the hill and me and another fifty Supporting Artists are to be simple villagers.
It seems the bad guy (Ben Cross) is going to send his men in to pillage our village. The scenes go like this..All the villagers are scared when they see twenty men dressed in black (Bad guys) riding down the hill towards them. All of a sudden the horses stop at the entrance to the village and one of the cast members shouts to us, ??Why have they stopped???My old mate (now deceased) Bill (hat and coat) shouts back ???cause they haven?t had their Weetabix??
This didn?t go down too well with the director but he carried on. As the horses come charging in we all have to flee in all directions and try to hide. The 1st A.D. Chris wants to give me a bit of business to do. ??Aitch, as the horses come charging past I want you to run across the path and take refuge in that barn. There should be six horses coming past you and you run across after the last one??.
Six horses and run.. I take my glasses off (I can?t see a thing without them) and I start to count the horses as they fly by.??Four, five, six and run? BANG I?m up in the air, someone sent seven horses past. Myself and the horse didn?t get hurt; it was just another day at the office..
MISSION IMPOSSIBLE- Director: Brian De Palma.
Cast: Tom Cruise, Jon Voight
A night shoot at Liverpool Street Train Station in London.
They want to use my car (Orion) in the first shot and have a London bus give it a near miss.. After about six takes and the bus getting nearer with every take the director gets his shot. (I?m a bit pleased with that) They had rain machines on us all night which made the driving more difficult..
Tom Cruise was very good to the onlooking crowd and every so often would go over to them and sign autographs for them. Mind you there was half a dozen big guys (Ben, The Spiv,) doing their best public liaison work.. I was speaking to Robin the caterer when Jon Voight came over and joined us. He shook hands with me and asked me how I was doing.
I said I had worked with him before on The Revolutionary many years before. He remembered the film and I didn?t remind him of the good drink we had at the end of that day.. It?s not in his memory but it will certainly stay in mine.
ENTRAPMENT-Director: Jon Amiel
Cast: Sean Connery, Catherine Zeta Jones
Filming at The Borough Market South London for a week. (A very hot week) Dressed up in winter clothes as a stall holder on the hottest days of the year..Fake snow all around us and me wearing gloves, a body warmer and scarf. This is the last film I worked on.
I would like to thank Harry Fielder for allowing me to interview him.
Aitch,
P
Put Put
Gast
Da ich grad langeweile hatte und ich mein DVD Regal durchstöberte, fiel mir eine Frage ein.
Die DVDs von Star Wars Episode 4-6 + Kinoversion, sollen ja angeblich Limitiert sein.
Zumindest steht dort Limited Edition drauf.
Da ich sie aber in jedem Laden noch immer stehen sehe, können die ja nicht wirklich streng Limitiert sein.
Gibt es eine genaue Zahl auf wie viel Stück die Limitiert sind? Sind sie überhaupt Limitiert?
Angeblich sollten die ja am 31 Dezember des erscheinungsjahres nicht weiter an den Handel ausgeliefert werden.
Weiß da einer mehr?
Die DVDs von Star Wars Episode 4-6 + Kinoversion, sollen ja angeblich Limitiert sein.
Zumindest steht dort Limited Edition drauf.
Da ich sie aber in jedem Laden noch immer stehen sehe, können die ja nicht wirklich streng Limitiert sein.
Gibt es eine genaue Zahl auf wie viel Stück die Limitiert sind? Sind sie überhaupt Limitiert?
Angeblich sollten die ja am 31 Dezember des erscheinungsjahres nicht weiter an den Handel ausgeliefert werden.
Weiß da einer mehr?
Lowbacca
weiser Botschafter
"Limitiert" bedeutet "begrenzte Anzahl" - mehr nicht. Die Limited Editions der Kinofassungen könnten also auch auf 1 000 000 000 Einheiten limitiert sein.
Ich gehe schon davon aus, dass die Auflage niedriger war, als zB bei der Trilogy-Box, aber Seltenheitsstücke sind die Limited Editions deswegen nicht.
P
Put Put
Gast
"Limitiert" bedeutet "begrenzte Anzahl" - mehr nicht. Die Limited Editions der Kinofassungen könnten also auch auf 1 000 000 000 Einheiten limitiert sein.
Jo das doch schonmal ne Auskunft,d anke.
Ne es ging nicht darum, ob sie nun von besonderen WErt sind usw. nur wundert mich immer wieder wie scheinbar dieser Begriff für die Werbetrommel genutzt wird.
Meine Bestellte Box von Todeszug nach Yuma ist z.b. auf 3000 Stück limitiert wohingegen Star Wars scheinbar in die Million geht^^
Du hast eigentlich meine Vermutung, dass dieser Begriff sehr stark zu Differentieren ist bestätigt.
Lowbacca
weiser Botschafter
Yap.. ist halt ein Marketing-Begriff. Damit auch die Allgemeinheit mitbekommt, dass dies die eigentlichen Urversionen der Filme sind, und damit etwas Besonderes.
Würde mich aber auch schon interessieren, ob die nur bis zu einem bestimmten Datum ausgeliefert wurden und überhaupt nochmal produziert werden. Aber wenn die sich wie warme Semmeln verkauft hätten, hätte GL bestimmt auch nachproduzieren lassen...